Andreas Gursky (b.1955): Chicago, Board of Trade II, 1999, photograph, C-print on paper.

I saw this picture at the Tate in Liverpool and it felt very pertinent to my current project. You can see within it the blurring of boundaries between man and man-made. The human, the electronic and virtual become a single entity, this could so easily be a computer chip or plate. 

Diagram of the four humours, closely linked to the elements and the weather. It’s worth noting that the two humours associated with Earth and Water (material elements) are portrayed through a feminine body – in the Early Modern period they thought of women as possessing more of these humours, explaining their delicacy and inferiority to men. The man is linked to Fire and Air, strong and warrior-like, depicting their superiority and linking the body with its environment. For example in Macbeth the witches are always found out on the moor and associated with rain and thunder.

Image source: http://scalar.usc.edu/works/engl-690-project/index

Salena Godden, ‘I Know a Lot of Dead People Now’

One of the poems performed at her reading in the Peter Scott Gallery, this poem out of all of them was the one that stayed with me.

“To kill yourself before 40 is murdering a stranger”

This was very personal for me, but her point struck me. Our identities are evolving, they accumulate our experiences and our megalomanic collecting of memories. 

Clothing, identity and ritual

Grayson Perry as Claire, accepting the Turner Prize, 2003 Source: https://www.theguardian.com/artanddesign/2014/oct/04/grayson-perry-dress-tranny-art-who-are-you-tv

Grayson Perry, Our Mother, 2009 Source: http://www.victoria-miro.com/artists/12-grayson-perry/works/artworks12649/

The idea of the humorous body: a vessel for liquids and gases, heavily influenced and constructed by the outside world. (English lit)

–> Our surroundings create us and therefore our clothes can define us, how can we express that identity through clothing?

–> Link to embroidery notes in sketchbook, the idea of ritual and transformation associated with clothing and religious vestments

Grayson Perry uses clothes to transform his outer self into a reflection of his inner self. A lot of his work uses these ideas.