Depictions of ‘visards’ which were worn by ladies in the 16th-17th centuries to protect them from the sun. The masks were made of black velvet and were held in place by a button or bead clenched between the teeth, silencing the wearer unless they take it off.

https://www.atlasobscura.com/articles/visard-mask-elizabethan-visor-blank-16th-century

http://www.fashioningtheearlymodern.ac.uk/object-in-focus/visard-mask/

–> interesting concealment of voice/face, therefore persona/identity                  –> effective imagery of the oppressive silence                                                     –> this is such a strange cultural phenomenon, so many women are faceless in art history, that interests me. Lots of people look at it in contemporary art, something to pursue when looking at costume/folklore this term

Leah Barclay, Deciduous, 2015

uses live streaming of hydrophone recording humpback whales off the coast of Hawaii, as well as geolocated sound walks from natural environments around the world

Tesla charging points attached to an old petrol pump
— found it really visually striking and reminded me of my interest in old-world/new-world frictions and dissonance. Strangely beautiful too, the start (or middle?) of a history
— also interesting for two worlds colliding (BTS), the old and new coexist