Goat Festival on the Greek island Skyros, descended from celebrations of Dionysus. People dress in furry costumes with bells and dance, there’s also a lot of cross-dressing in honour of the god Dionysus/Bacchus, whose gender was fluid

—> ritual, procession, ceremony, performance, masks

Image source: https://www.bordersofadventure.com/skyros-island-greece-mischief-and-masquerade-of-carnival/

Info: https://inews.co.uk/culture/bacchus-uncovered-ancient-god-of-ecstasy-bbc4-tv-review-gender-fluidity-transgender-dionysus/

Mark Dion:

  • Top Left: The Bureau of Remote Wildlife Surveillance, 2006
  • Top Right: Ichthyosaurus, 2003
  • Middle 2: Mandrillus Sphinx, 2012, (detail shot on right)
  • Penultimate: Den, 2012
  • Bottom 2: Society of Amateur Ornithologists, 2010 (exterior and interior)

“Dion’s work examines the ways in which dominant ideologies and public institutions shape our understanding of history, knowledge, and the natural world. … Appropriating archaeological, field ecology and other scientific methods of collecting, ordering, and exhibiting objects, Dion creates works that question the distinctions between ‘objective’ (‘rational’) scientific methods and ‘subjective’ (‘irrational’) influences.“

source: 

http://www.tanyabonakdargallery.com/artists/mark-dion/series-sculpture-and-installation

 http://www.tanyabonakdargallery.com/artists/mark-dion/series-outdoor-public-projects


——> creation of narrative worlds – fantastical yet relevant – construction of imagined space – the Anthropocene

Mary Mattingly

Videos about her work WetLand, 2014 and ongoing (cannot be shared via Tumblr)

http://www.marymattingly.com/html/MATTINGLYWetland.html

A Ruin in Reverse, 2013 —-> artefact, both buried and found, forgotten and remembered

Heading West, 2011, part of her series Wearable and Portable Architecture, 2011-2012 —-> designed to be worn in all environments: thinking about the changing world and the necessity of adaption for survival

source: http://www.marymattingly.com/html/MATTINGLYWork.html

Pina Yoldas, An Ecosystem of Excess, 2014 —> creates a ‘posthuman ecosystem’ that has evolved to live off of plastic pollution, specifically the Great Pacific Garbage Patch – inspired by the ‘primordial soup theory’ (now literally the plastic soup)

  • Top: installation view at the Transmediale festival
  • Left: Eggs that acquired hues of Pantone colored plastic
  • Right: Pacific Balloon Turtle

Sources:

Tale of a Strange Marriage (Konkai Zoshi) by Ukita Ikkei c.1858

Example of an Emaki scroll is part of a tradition of replacing humans with animals. This particular scroll uses the satirical genre which depicts foxes – believed to take human form in moonlight

“This somewhat eerie depiction of a fox wedding under an autumn moon expresses the artist’s biting criticism of the Tokugawa shogunate and its attempt to shore up its waning authority by marrying an imperial princess to the shogun.” – Metropolitan Museum

source: https://www.metmuseum.org/toah/works-of-art/57.156.7/

essay on Emaki scrolls: https://www.metmuseum.org/toah/hd/jilh/hd_jilh.htm